I received an email from Vince this morning congratulating me for having a good review in the Philadelphia Inquirer. Of course, that meant throwing on the first shirt and pair of shorts I could lay my hands on and running to the corner to grab a paper.
Here's the link:
Philadelphia Inquirer review
While remaining primarily abstract, Tim McFarlane's
new paintings at the Bridgette Mayer Gallery have
moved away from the scheme of stripes and color blocks
that characterized his previous exhibition.
The new paintings, which are more gestural and look
more improvisational, create a distinctive mood of
urban complexity. Their architecture, based on
irregular, freehand grids that look like ladders or
street plans, is more fluid and spirited.
McFarlane prefers high-voltage color, so much so that
even his whites are dazzling. Strong colors, combined
with layering of the "ladder" shapes, produces a
visual metaphor for high-density urban synergy.
This effect comes across powerfully in paintings such
as Burst, dominated by intense red, yellow and orange,
and Folding in on History, in which a white top layer
pushes toward the viewer.
The complexity of McFarlane's paintings, all acrylics
on canvas, is further magnified by their transparency.
Although most are several layers deep, one can see
through the grids and "ladders" all the way to the
bottom of the stacks. This produces a lively
counterpoint between airiness and structure akin to
the most imaginative jazz improvisation.
Philadelphia Inquirer Art Critic