Tuesday, March 29, 2005

this way and that

I'm trying desperately to reconcile my need to continue exploring minimal images while embracing a more expressive painting style. I've been struggling to bring these two opposing aproaches together in some of the new paintings. Its difficult to say it this approach is working or not yet. However, it seems the more expressive imagery is winning out at the moment. That's the direction I've been going in lately, so there's nothing shocking about that last statement.

I'm thinking that I should break the work up into two separate series. That way, both creative needs get met and I don't have to struggle as much to bring these two sensibilities together in one series of paintings. If the coupling of the minimal and expressive happens to work for a particular piece, then I'll go with if. Otherwise, doing separate series seems to be the way to go for now.

Too many ideas, not enough time. The only thing I can do is keep working and hope something works out.

Most exciting for me has been to work my way through the new painting ideas and discovering new things along the way. For instance, I've noticed that I've managed to create a nice tension between background/foreground relationships by varying the width of some lines and attempting to reverse the usual order of colors. That is, traditionally, dark colors recede and light colors come forward. By using a darker color beneath lighter, but more intense hues in the gridwork and making the dark background lines thicker than the forground lines, there is a sense that the depth of field has been collapsed. This seems to create a tension between background and foreground that I find exciting and it makes the painting more interesting.

Tomorrow and Thursday I have a few goals I'd like to achieve related to the studio:

1. Come up with titles for finished works.

2. Stretch some more small canvases for a minimalist series I have in mind. 12"x12" or 12"x 15" Maybe I'll try one of two of both before settling on one size or the other.

3. Pack painting up for delivery to New York on Friday.

4. Make changes to art resumé.

5. Paint, paint, paint and paint some more!

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